Frequency response shaped specifically for kick drums and bass instruments

Built-in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum

Studio quality performance, even at extremely high sound pressure levels

Supercardioid pattern for high gain before feedback and superior rejection of unwanted noise

Hardened steel mesh grille that resists wear and abuse

Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration

Neodymium magnet for high signal-to-noise ratio output

Low sensitivity to varying load impedance

Legendary Shure quality and reliability

A single-point, stereo condenser microphone for use in professional studio recording, live sound reinforcement, field production, electronic news gathering (ENG), and studio broadcasting applications

One cartridge (Mid) faces forward to capture on-axis sound using a cardioid pickup pattern while the other cartridge (Side) is bi-directional, capturing sound from either side

Contains an internal M-S matrix with three settings for different degrees of stereo image separation

Switch-selectable, low-frequency rolloff (12 dB/octave below 80 Hz) for reduced pickup of ambient noise & stand vibration

Operates on phantom power or a 6V camera battery

Unidirectional 819 surface mount condenser microphone is an excellent, economical solution

Wide-range frequency response

Great for general sound reinforcement applications in churches, schools, on stages, etc.

Operates on single 9-volt battery or phantom power

Hemi-cardioid (above the mounting surface) condenser

Frequency response: 60 to 20,000 Hz

Miniature gooseneck-mounted electret condenser microphone designed primarily for speech and vocal pickup

Desktop base with 10' cable, programmable push-to-talk button & LED indicator

Snap-fit foam windscreen

12" gooseneck microphone

Cardioid or supercardioid cartridge option

Miniature gooseneck-mounted electret condenser microphone designed primarily for speech and vocal pickup

Can be mounted on lecterns, pulpits, or conference tables

Shock mount provides over 20 dB isolation from surface vibration noise

Snap-fit foam windscreen

12" gooseneck microphone

Cardioid or supercardioid cartridge option

Miniature gooseneck-mounted electret condenser microphone designed primarily for speech and vocal pickup

Can be mounted on lecterns, pulpits, or conference tables

Shock mount provides over 20 dB isolation from surface vibration noise

Snap-fit foam windscreen

18" gooseneck microphone

Cardioid or supercardioid cartridge option

1/4" parallel wired in/out jacks

Ground Lift switch to help eliminate hum and buzz

30dB pad switch for selecting between line/instrument or speaker level input signals

Switchable high cut filter to eliminate amplifier noise

Uses Whirlwind's TRHL-M transformer with metal shield

Stereo isolator, withstands up to +21dB without distortion

Eliminates hum and buzz caused by ground loops

Suitable for balanced & unbalanced signals

Exceptionally linear response from 20Hz to 20kHz

Dimensions (W x H x D): 3.3" x 5.0" x 2"

Weight: 1.55 lbs.

2-channel direct box converts unbalanced line, instrument, or speaker signals to low-impedance balanced levels

Has 1/4" parallel wired in/out jacks as well as ground lift switches to help eliminate buzz and hum

20dB pad switch for selecting between line/instrument or speaker level input signals

Outputs: 2 x XLR, 2 x 1/4" thru

Uses Whirlwind's TRHL-M transformer with metal shield

Perfect for interfacing the outputs of CD players, computer sound cards, iPODs® / MP3 players, tape decks, etc. with professional, balanced, low impedance equipment

Input your signals with one 3.5mm (1/8") mini TRS stereo jack, two sets of color coded RCA phono type input and through jacks or 1/4" TS input jacks

Output is via corresponding color coded XLR's

Ground Lift switch to help eliminate hum and buzz

Stereo/Mono switch for stereo operation or safely combine both inputs into a mono signal sent to both outputs

20dB pad switch for connection to "hot" input signals

Uses Whirlwind's TRHL-M transformers with metal shield

1/4" parallel wired in/out jacks

Ground Lift switch to help eliminate hum and buzz

Input switch selects between instrument/line or speaker level input signals

LED indicates "ON" status

Input Impedance: 1 Meg Ohms

Frequency Response: 20Hz-150kHz ±3dB

Four channels of HotBox performance come in a 1U rack package with built-in power supply

Dimensions: 19"W x 1.75"H x 4"D

Weight: 4.5 lbs.

Connects any high-impedance instrument pickup, even piezo pickups, to a balanced microphone (XLR type) input

Inputs: 1 x Instrument (1/4")

Outputs: 1 x XLR, 1 x TRS amp output

Power options: 48 V Phantom (0.4 mA); 9 V Battery (400 hours on a typical alkaline)

Dimensions: 5" x 3" x 1.75"

Weight: 18.5 oz.

Ultra low distortion of all types

Exceptional headroom & dynamic range

Retains instrument's natural sound

Powered by 48V phantom

Input impedance: 220kΩ - ¼" input

Output impedance: 600Ω - XLR output

Merge function: IN and THRU jacks are summed to mono

Input pad: -15dB

Ground lift: Disconnects pin-1 at XLR output

Dimensions: 3.3" x 5.0" x 2"

Weight: 1.55 lbs.

Stereo direct box designed for keyboards

Smooth, warm sound rounds out digital edge

Able to handle huge transients without choking

High Performance transformers for distortion-free signal transfer and 100% isolation from ground loop hum

Completely passive, no power needed

Frequency response: 20Hz to 20kHz +/- 2.5dB

Total harmonic distortion: 0.01 % from 20Hz to 20kHz

Input impedance: 140K ohms (with 1kHz input)

Balanced outputs: 600 ohms, -60dB mic level, pin-2 hot

PAD: -15dB

Dimensions: (W x H x D) 2.75” x 4.25” x 1.75"

Weight: 1.2 lbs.

The Ice Cube is made of solid 16-gauge steel and features a powder-coat finish

The steel provides electromagnetic shielding from nearby cables, motors, and power supplies

Eliminates hum & buzz caused by ground loops

Linear response from 20 Hz to 18 kHz

Able to handle pro output levels without choking

Plug & play easy to use with XLR in & out

Dimensions (L x W x D): 4.2" x 1.32" x 1.6"

Weight: 0.65 lb.

Removes ground loop hum, mode noise, and differentially-induced hum without the need for multiple transformers, ground lifters, or phase inverters

Compact high-impact ABS thermoplastic housing and standard XLR connectors at each end to fit easily into your signal path

Bi-directional design allows you to plug it directly into the inputs or outputs of your equipment

Specially engineered for a flat, broad frequency response, which allows a hotter signal throughput without saturation

Provides excellent protection against radiated noise to reduce pickup of hum and interference from power supplies and other outside sources

Connectors: 1 x XLR Female, 1 x XLR Male

Weight: 0.15 lb.

STGBX-54 Main stage input panel consisting of 1-48 female XLR's with dual ground lift switches

Channels 49-54 are male and female XLR tie lines

5 CPC sub-inputs with channels grouped 1-12, 13-24, 25-36, 37-48, 49-54

Three RAMX025, RAMLATCH® multi-pin outputs for Main, Split 1, and Split 2

15 rack space fully enclosed box

Twenty Four XLR microphone sends and four 1/4" returns (for monitor channels or house output)

Metal wire mesh strain relief on stage box and fan out

100' and 150' lengths

Sixteen XLR microphone sends and four 1/4" returns (for monitor channels or house output)

Metal wire mesh strain relief on stage box and fan out

100' length

Twelve XLR microphone sends and four 1/4" returns (for monitor channels or house output)

Metal wire mesh strain relief on stage box and fan out

70' length

Eight XLR microphone sends and four 1/4" returns (for monitor channels or house output)

Metal wire mesh strain relief on stage box and fan out

100' length

Use this handy box when you need to split a line level signal up to 6 times

Features 1 female XLR input wired to 6 male XLR outputs

Perfect when adding extra amplifiers to a system, connecting multiple powered speakers, splitting intercom lines, etc.

Balanced 3-pin XLR female to XLR male cable

Balanced 3-pin XLR female to XLR male cable

Balanced 3-pin XLR female to XLR male cable

Great for outdoor events

Reduces wind and "plosive" noise

For use with dynamic and condenser microphones

From iPod integration cables to splitters, gender changers and more

Tripod or round base

Black or chrome finish

Ideal for vocalists who play instruments and sing simultaneously

Countless applications include drum, percussion and piano miking

Great for panel discussions and conferences

Great for stereo miking configurations

Threads onto any standard straight or boom microphone stand

(*Microphones NOT Included)

Easy, automatic no-knob friction-tilt neck delivers constant tension at any tilt position

Heavy-gauge, all-steel welded base provides excellent stability and requires minimum space on stage risers or in storage

2 bright white high-intensity LED lights in each lamp head

2 flexible goosenecks allow for easy positioning at any angle

Clip easily attaches to music stands